At the heart of the mission of The Honickman Foundation is the belief that creativity enriches contemporary society, because the arts are powerful tools for enlightment, equity and empowerment, and must be encouraged to help effect social change, as well as personal growth.

Currently, The Honickman Foundation provides support to projects where there is an emphasis on two underserved disciplines—photography and poetry. With the exception of two national competitions, THF directs its support to organizations in the Philadelphia area.

In Citizen's Garb:

Southern Plains Native Americans, 1889-1891

On Exhibit at The Penn Museum

From March 26 through June 20, 2010, the Penn Museum of Archeology and Anthropology is presenting In Citizen's Garb: Southern Plains Native American, 1889-1891, a powerful collection of fifty-five photographs taken during the late nineteenth century. Organized by the Museum of the Great Plains in Lawton, Oklahoma, the images depicted provide an unparalleled window into the life of Native Americans a century ago, and the process of acculturation imposed on them during westward expansion.

The photographs in this exhibition were taken by William J. Lenny and William L. Sawyer of Purcell, Oklahoma, one of the many towns that sprang up on former Indian lands. Lenny and Sawyer opened a photography studio in the Oklahoma territory to make images of "wild Indians" who were perceived to be part of a "vanishing race." At the time, photographs of Native Americans and frontier life were in vogue in the United States and in Europe, but they were especially popular in the eastern U.S. cities.

The 1880s and 1890s were decades of tremendous upheaval for many native tribes. Settlers were moving westward and with this encroachment of Euro-Americans came the depletion of natural resources, forcing Native Americans to make dramatic choices of where and how they lived. The images featured in the exhibition explore the ways dress and life changed for the Kiowa, Comanche and Apache tribes living on the K-C-A Reservation in southern Oklahoma Territory. Native Americans gradually adjusted to the new life forced upon them by the United States government.

Elaine Garfinkel

It is almost certain the sitters for these portraits and the photographers had vastly different reasons for making these images. What is also certain is these photographs speak to the resolve and determination of a people who did not vanish in the wake of westward expansion, as was the popular belief a century ago. Rather, they document a time when Native Americans found themselves in the unfathomable position of adapting to foreign customs, traditions and culture.

The importance of viewing these images through twenty-first century eyes is to acknowledge their intended purpose and to also see what these portraits can tell us about these people as individuals and as a collective. A closer look reveals details of a nation of people forced into changing their way of life in the hope of surviving a future.

The Honickman Foundation's support of this exhibition is in tribute to the memory of Elaine Garfinkel, an activist, an authority on Southwest art, a museum docent and an exceptional friend to the Penn Museum and the Women's Committee.


CDS/Honickman First Book Prize in Photography

The Center for Documentary Studies at Duke University and The Honickman Foundation created a partnership in 2001 to establish a biennial publishing award. The prize offers publication of a book of photography, a $3,000 Award and inclusion in inclusion in a Web site devoted to presenting the work of winners of the prize.

The Center for Documentary Studies/Honickman First Book Prize honors work that is visually compelling, that bears witness, and that has integrity of purpose. Jennette Williams, a fine arts photography instructor at the School of Visual Arts in New York City, has been selected to receive the fourth First Book Prize in Photography award for her stunning platinum prints and color photographs of women at European and Turkish bath houses.

The next CDS/Honickman First Book Prize will be held in 2010. Information about submission dates and deadlines will be posted in November 2009.

View guidelines for the fifth biennial prize competition.

Image: Jennette Williams' The Bathers is the winner of The Center for Documentary Studies/Honickman First Book Prize in Photography


APR/Honickman First Book Prize in Poetry

The annual American Poetry Review/Honickman First Book Prize encourages excellence in poetry, and provides a wide readership for a deserving first book of poems. Working as partners since 1995, APR and THF have already become a meaningful force within the poetry community, as evidenced by the poets' careers that have advanced as a result of this prestigious award.

Note: The deadline for the 2010 prize is October 31, 2009. Manuscripts must be postmarked between August 1 and October 31, 2009.

Image: Laura McKee's Uttermost Paradise Place is the recipient of the 2009 APR/Honickman First Book Prize in Poetry Award.

Digital Photography Comes to Fleisher Art Memorial

A gift from The Honickman Foundation has helped to transform an underused space at the Fleisher Art Memorial into the new Lynne and Harold Honickman Digital Photography Studio. The film photography program which was established in the late 1960's has always been one of the most popular offerings at Fleisher. Classes and workshops in black and white photography consistently fill up in record time. The expansion to digital photography reflects the popularity of the medium and the influence technology now has in art. While traditional film courses are still offered, the addition of digital photography allows the Fleisher Art Memorial to continue their mission to make art accessible for all.

Current THF-Funded Projects in Photography

Past THF-Funded Projects in the Arts